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Showing posts from November, 2013

The Mix #4: I Don't Want To Wait Forever

My title this time out is ironic, because I published the last mix over 4 months ago...so long ago, in fact, that I'm no longer going to call this series The Monthly Mix. From here on out, it will simply be known as The Mix and then I can put or new one up in a week or three months or whatever. Since it's been a while, I've upped this one to 20 songs instead of the usual 15. As always, just find me on Spotify to play along (or follow my Facebook or Twitter links)... 1. You Can Stay But You Gotta Go/Quasi - I've know of Quasi for a long time but I've never listened to a whole album. This duo is Sam Coomes (who was in Heatmiser with Elliott Smith back in the 90s) and Janet Weiss (who was in Sleater-Kinney and Malkmus and the Jicks and is currently a member of Wild Flag). This track comes from their recent album, Mole City , and is full of fuzzy guitar and the stellar drum work of Weiss. 2. Me & You & Jackie Mittoo/Superchunk - Superchunk came roaring bac

Heavy Rotation #23

While my music listening continues to be more scattered than focused, I have digitally or physically spun two albums on a regular basis over the last few weeks. Read (and maybe listen too?) on... Death Cab For Cutie/Transatlanticism - This album came out 10 years ago and was recently reissued. Naturally, there was coverage about the reissue and that led to me picking it up once again. It was the first Death Cab album I bought and it remains my favorite (though I like all their albums...also,  Narrow Stairs is a strong second). Lines like "I wish the world was flat like the old days/Then I could travel just by folding the map/No more airplanes, or speed trains, or freeways/There'd be no distance that could hold us back" and "There's a tear in the fabric of your favorite dress/And I'm sneaking glances" are catnip to me and those are from the first two songs. I love the juxtaposition of the music and lyrics in "The Sound of Settling," where the